Are you serious about wanting to improve you bass guitar playing? If you are, then one of the most productive things you can do is work on your scales. It has even been said that the level of your scale playing pretty much determines the level of your bass playing overall! I have designed these exercises to help you to develop a more accurate sense of rhythm and to improve the speed and agility of your bass guitar scales.

But will you be learning the proper techniques, the proper fingering? You best hire yourself a tutor. If you want to learn slap bass, it’s the ultimate way to go. And it’s also a great way of improving your music skills.

Even if you don’t end up going anywhere major with your new found skills, you will still feel great and be proud of yourself for learning something new. The bass guitar is fun, and adding these skills to your repertoire will help you to begin developing your own unique playing style.

Beginner bass players should learn these right away to save them years of time, trouble and frustration, but that most often never happens for them. Intermediate bass players have to have some patterns under their belt to even be at an intermediate level, however, they are usually the most frustrated players because they feel like they are getting somewhere with their instrument, but the are so held up with partial information that they can’t move beyond where they are at.

Advanced players must have some command of scale, chord and arpeggio patterns, to be advanced, yet often they get real fast and efficient with enough patterns to impress others and get by, but they realize how extremely limited they still are, and how they are not really as advanced as they would like to be because of their insufficient scope and grasp of a complete mastery of the fretboard with the current patterns that they already know, as well as the theoretical aspect behind the patterns and their use.

NEVER SING if you feel uncomfortable about it. NEVER HARMONIZE if you’re not sure what notes to hit with the lead singer. Avoid “falsetto vocals” if at all possible. Falsetto only belongs when you are driving in the car, ALONE, and with your favorite CD playing

Never play in a club where there’s a “house soundman.” Guaranteed – they will get paid more than the band, in most cases, and the probably have a standard sound for all the basses, without knowing your playing style. He probably eq your bass with an insane volume range.

Use your left thumb as a pivot, keeping your elbow out from your body so that it can swing back and forth freely. Curve the fingers of your left hand out over the neck to reach notes on the thicker strings; as your thumb pivots. Play the notes on the thinner strings with your fingers flattened more against the neck, your elbow pulled back, and your left thumb standing almost out straight from the neck

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